I think there's value to the idea of not immediately throwing
brand new Doctors up against Tier 1 villains. Peter Capaldi got
the big three (the Daleks, the Cybermen, and the Master) all in
his first year and it just felt too soon. I think we should get
to know a Doctor first and see how they react to smaller threats
before you bring out the big guns. That way, it's more exciting
when a big epic showdown actually happens because you want to
see how this new Doctor/villain combination will play off each
other.
Nightmare in Silver is Matt Smith's definitive Cyberman episode.
Other than Nightmare in Silver, the only Cyberman appearances in
Smith's tenure are either cameos (The Pandorica Opens, A Good
Man Goes to War, The Time of the Doctor) or Closing Time which
didn't actually have that much to do with the Cybermen.
Nightmare in Silver is first and only time that the Eleventh
Doctor faces off against the Cybermen in an episode which is
purely about them, instead of being part of a subplot or a
pre-titles sequence, and by this stage in Eleven's career it
feels more like he's earned it.
Nightmare in Silver is most noteworthy in hindsight for being
the long-awaited debut of the current model of Cyberman. Despite
looking a bit too much like Iron Man, these new sleeker designs
look a lot better than the clunky, blocky Pete's World Cybermen
introduced in 2006. Whereas the previous suits looked too
cumbersome and moved too robotically, these new ones look a lot
more like an upgrade of the human body and their more human
outline serves as a reminder that inside each Cybermen is the
remains of a once living person. Oddly, there are certain big
selling points of these new Cybermen which haven't made it out
of this episode. The Cybermites, a fantastic new creation and a
logical upgrade from the large and easily-spotted Cybermats,
haven't been mentioned since. Also, the Cybermen's new ability
to assess a situation and instantly upgrade themselves
accordingly could make for a truly unstoppable villain but
unfortunately not even this episode uses this concept to its
full potential.
Nightmare in Silver displays some of the most Clara-y Clara
moments in the whole of Series 7, where she actually makes
decisions and says things that no other companion would. Her
position of Doctor-like authority over the punishment platoon
combined with her 'duty of care' towards Angie and Artie help to
give her a new level of depth and make her more of a
fully-rounded character just in time for The Name of the Doctor,
where your enjoyment of the episode is entirely hinged on how
much you care about her.
Speaking of Angie and Artie, the kids are a serious weakness of
this episode. And I don't mean that in reference to the skill of
the young actors, who are actually very capable and perform
their parts well. I'm also not complaining about their relevance
to the story being told. Not only do they help to bring out a
new dimension in Clara, but they also build in to the storyline
with the Cybermen and help to raise the stakes when they get
captured. No, I'm talking purely about the personalities they
are given. Both Angie and Artie as characters on the page are
insufferable to be around. Angie in particular is just terrible.
All she does is moan and complain about everything. It really
isn't a smart idea to have a negative child character when
you're writing a TV show for children. Actually, I can't think
of a single situation in which it's a good idea to mock your
target audience.
Doctor Who is for kids, so we can assume that kids are able to
relate to the struggles of adults like the Doctor and Clara.
Therefore, when writing a child character, they should be as
deep and complex as the adult characters. Artie is also pretty
badly written, the highlight being when for no good reason he
decides to speak out loud to the audience ("I'm not scared, if
you're wondering. I just think I ought to turn the lights back
on."). It just came across as being really awkward and forced
instead of using subtlety to convey meaning through imagery and
acting.
Matt Smith has been highly praised for playing both the hero and
the villain in this episode. While it's undeniable that Smith is
one of the most skilled actors ever to take on the role of the
Doctor (and that includes Sir John Hurt), I'm not sure if this
exact episode maybe is such a great display of that. If you want
a beautifully nuanced Matt Smith performance, watch the old
Eleventh Doctor scenes from The Time of the Doctor. In Nightmare
in Silver, Mr Clever is basically just the Doctor but even more
energetic and even more camp. I would've really liked to see
Smith play the part of Mr Clever in a more restrained way; a
cold and calculating villain like the Roger Delgado Master. It's
still a great performance regardless and I appreciate how hard
it must be to switch characters mid-sentence, but I don't think
it's as wildly impressive as people say given how similar the
two performances are. Mr Clever is just the Eleventh Doctor but
with even more flailing (if that's even possible).
The chess game between the Doctor and Mr Clever is a cool idea
though, and helped to parallel the conflict between logic and
emotions. The presence of the giant Cyberman army seemed a bit
out of place, given this episode is mostly all about one single
Cyberman stealthily picking people off in the dark. The hype
surrounding this episode was that it would make the Cybermen
scary again, but a giant CGI army storming a castle in broad
daylight isn't really the same sort of creeping terror that
episodes like The Empty Child, Midnight, and Blink achieved in
the past. I think this final scene would've been a lot more
effective and made the Cybermen a lot more threatening if it was
also happening at night, surrounded by darkness. It could've
been really atmospheric and nightmarish (a Nightmare in Silver
even) to have these powerful metal creatures marching at you
through the pitch black like on the official poster. It also
would've left a memorable image in the viewers' mind that might
have become iconic for this episode instead of this episode
having to frequently reference iconic visual motifs and story
beats from The Tomb of the Cybermen, most notably when the
Cybermen actually emerge from their tombs. A night attack on the
castle could've been a huge memorable set piece but instead all
subtlety was thrown out of the window and we ended up with a
final act that looked just like any other New Who Cyberman
episode.
Nightmare in Silver is a perfectly enjoyable episode of Doctor
Who but it had the potential to be a modern classic and New
Who's first truly outstanding Cyberman episode. There are some
wonderful scenes, lines, and concepts but some of these concepts
are wasted or used but instantly thrown away, like a dark and
creepy tone being shattered by an overblown ending set piece in
the middle of broad daylight. It's one of New Who's better
Cyberman stories, mainly because this is one of the few which
doesn't feature the Cybermen as either a cameo, a subplot, or a
minor villain to some greater threat like the Daleks or Missy.
Remember back in the day when there used to be years between
Cyberman appearances? Yeah, let's have another break from them
for a while.
Next: The Name of the Doctor